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Technorati Tags: 1963, Abraham Zapruder, Amos Euins, Art Simon, Clint Hill, Darwin Payne, Dealey Plaza, Frank DeRonja, George Hickey, Hugh Aynesworth, Jim Garrison, John Connally, John Joe Howlett, Josiah Thompson, Kennedy assassination, Life magazine, Max Holland, November 22, Oliver Stone, Pierce Allman, Richard Stolley, Richard Trask, six seconds in Dallas, Sixth Floor Museum, The Lost Bullet, Warren Commission, Warren Report, Win Lawson, Zapruder film
In an exclusive story, Variety magazine reported on a new arrangement between Newsweek and Aspire Entertainment, whereby Aspire will take stories published in the magazine and develop them as films, TV series, and other media content.
Aspire vice president Teri Flynn cited “The Truth Was Out There” as an example of the “verve and attitude” evident in the new Newsweek. “This is not your grandmother’s Newsweek,” said Flynn.
To read the Variety article, click here.
Technorati Tags: Abraham Zapruder, Dealey Plaza, eleven seconds, House Select Commission on Assassinations, Kennedy assassination, Lee Harvey Oswald, Life magazine, single bullet theory, six seconds, Warren Commission, Warren Report, Zapruder film
By Max Holland
On November 29, 1963, President Lyndon Johnson directed the Warren Commission to “evaluate all the facts” in the brutal November 22 murder of his predecessor, John F. Kennedy, on a downtown Dallas street in broad daylight. Reduced to its bare essentials, the investigation sought answers to three fundamental questions: Who, why and how?
“Why” was entirely contingent on “who,” and that depended on “how.” Thus, the linchpin of the Warren Report—and every subsequent investigation—has always been precisely how Kennedy was assassinated in Dealey Plaza. That is the finding from which all the important answers flow; mishandle that question and the credibility of the entire report is undermined. The Warren Commission’s bungling of “how” is a primary reason why there have been so many residual doubts and conspiracy theories over the past 50 years.
In the 1964 Warren Report, just seven pages (of 888) reconstruct the shooting sequence. Three spent cartridges were found in the sniper’s nest on the sixth floor of the Texas School Book Depository, corroborating the testimony of most ear- and eyewitnesses that three shots were fired. But after 10 months of investigation, the report did not present a compelling explanation of the sequence; instead it offered up three slightly different scenarios. In each, one of the bullets fired by Lee Harvey Oswald fatally hit Kennedy in the head; another struck and passed through the president before hitting Texas Governor John Connally; and the third shot fired by Oswald…well, the commission could not say where that bullet went or even when it was fired. Depending on which of the three scenarios one favored, the total time span of the assassination ranged from as little as 4.8 seconds “to in excess of 7 seconds.”
The story of how the Warren Commission fumbled this pivotal question is long and convoluted, and only the barest outline can be presented here. The saga involved not just the lawyer-dominated commission and staff but also the FBI, the Secret Service and the media, primarily the then-mighty Time Inc. empire. The crucial element, of course, was the most famous movie ever taken by a cameraman, the 26-second-long Zapruder film.
To read entire article, click here.
Technorati Tags: 11 Seconds in Dallas, Amos Euins, Arlen Specter, CBS, Clint Hill, Dealey Plaza, FBI, George Hickey, Glen Bennett, House Select Committee on Assassinations, Jack Ready, James Tague, JFK assassination, Joe Ball, Lee Harvey Oswald, Life magazine, Melvin Eisenberg, Paul Landis, Queen Mary, Secret Service, Six Seconds in Dallas, Warren Commission, Warren Report, Zapruder film
Woodward and Bernstein’s Secret Sources
By Max Holland
In 2005, W. Mark Felt came forward in Vanity Fair to identify himself as journalism’s most famous secret source. The 91-year-old former FBI executive admitted—with a little push from his family—to being Deep Throat, the anonymous source whose information was vital to numerous scoops about the Watergate scandal written by Washington Post reporters Bob Woodward and Carl Bernstein in 1972-73. A national guessing game that had been played for 31 years seemed over.
Yet the arrival of Deep Throat in the flesh created new complications, as media scholar Matt Carlson observed in 2010. A stroke-afflicted Felt was unable to speak on his own behalf; simultaneously, “Woodstein” (as the reporting duo were known internally at the Post) could no longer dictate the terms for how to think about Deep Throat. Speculation persisted, not only over how Woodward and Bernstein had used sources but also over what Carlson called “the overall accuracy of the Watergate narrative as retold by journalists,” who have a vested interest in a self-glorifying version.
Nothing did more to stoke these doubts than a 2012 biography of Ben Bradlee, Woodward and Bernstein’s fabled editor at the Post. In Yours in Truth, author Jeff Himmelman, a former Woodward disciple, described how he found an interview recorded while Bradlee was preparing his autobiography in the early 1990s. In it, the Post editor expressed doubts about Woodstein’s portrayal of Deep Throat in their book on the investigation, All the President’s Men.
“There’s a residual fear in my soul that that isn’t quite straight,” Bradlee told the interviewer in 1990. Himmelman also found in Bradlee’s papers a memo from Bernstein that described his clandestine encounter in December 1972 with a source identified only by the code name “Z.” In All the President’s Men, the information provided by “Z” was put on a par with disclosures made by Deep Throat. Himmelman put two and two together and realized “Z” was a member of the grand jury that had issued the original indictments against the Watergate burglars in September 1972—although in their book, Woodstein expressly denied getting information from anyone on the grand jury. One didn’t have to be a skeptic to believe that Woodward and Bernstein were still withholding the full truth about their exploits.
Now a document has surfaced in an unlikely place that sheds sorely needed light on Woodstein’s reporting while providing some perspective on the press’s role in uncovering the scandal.
Oddly enough, the document—a draft of a Woodstein story from January 1973—was buried deep within the papers of Alan J. Pakula, director of the eponymous 1976 Hollywood film based on Woodstein’s best-seller. Pakula, who died in 1998, deeded all his papers to the Margaret Herrick Library at the Academy of Motion Picture Arts and Sciences—the people who give you the Oscars. The collection includes his copious research for All the President’s Men, and in many respects, Pakula’s papers are more illuminating about the book and the movie than Woodward’s and Bernstein’s own papers, which are housed at the Harry Ransom Center in Austin, Texas.
Click here to read the rest of the article in Newsweek.
Technorati Tags: Alan Pakula, All the President's Men, Ben Bradlee, Bob Woodward, Carl Bernstein, Chuck Colson, Deep Throat, Donald Campbell, E. Howard Hunt, Earl Silbert, Elayne Edlund, Gordon Liddy, Harry S. Flemming, Henry B. Rothblatt, James McCord, Jeb Magruder, Jeff Himmelman, John Dean, John Mitchell, Katharine Graham, L. Patrick Gray, Mark Felt, Matt Carlson, Richard Nixon, Robert F. Bennett, Robert R. Mullen Company, Robert Redford, Seymour Glanzer, Washington Post, Watergate